[To Kim Jee-woon] The series has a number of very surreal, often quite frightening, dreamlike experiences and scenes. What was your visual design process for these scenes?
Kim Jee Woon: Well, to begin with, since we’re looking into the human brain, which means we’re going to dive deep into the very dark aspect of that person’s mind, I wanted to describe how tense that would be, the result of the scan. cerebral. I also wanted to highlight the horror elements in the first episode in particular. Thus, as for the scenes of creatures, the setting in scene would be centered on an environment related to the horror. And since I wanted to piece together the very fragmented, inconsistent, and uneven pieces of memories I tried to focus on as well, and deployed a lot of different filming techniques like going from a long shot to a wide angle. suddenly and vice versa. I also wanted to highlight this very confusing aspect of [it all], which could also be associated with the side effects of brain scanning, which gave off that horror movie vibe.
And that person, the main character, who is socially isolated and cut off from others, as he gets closer to the truth of the mystery, he begins to feel more emotions. I wanted to describe this through the change in color scheme. So at first I used some sort of monotone mixing color palette. And towards the end, as Koh Sewon started to feel a surge of emotions, I added some more vivid intense colors, especially the color red, as it was instinctively an emotional color for me.
What makes Dr. Brain especially interesting to me is that you can find clues from all kinds of different genres throughout the series. For example, when the truth of the mystery is revealed, there is an element of suspense and excitement. When the person behind whatever pulls the strings is discovered, you can see this main gender-related element. And as the main character bumps into people on the other end, there are the action sequences and there is also the humanistic element related to the relationship between people and how those connections are restored and reclaimed. . I’ve tried to maintain that underlying baseline of a mysterious thriller vibe, but in each episode you get to see a touch of different genres. I think that’s what sets Dr. Brain apart from other shows.
[To Lee Sun-kyun] With such a dreamlike, sometimes scary and surreal storyline, does that make it more difficult to enter the character? How did you overcome this?
Lee Sun Kyun: In fact no, it was not difficult at all. When I read the script I really enjoyed the dreamlike and surreal parts of it. I was very curious as to how Director Kim would make a scene out of it and how it would play out. So actually, I think, helped me get into character. I think these scenes would also help the audience follow their flow of emotions.
[To Lee Sun-kyun] What was the most difficult or the most interesting scene to film or experience?
Lee Sun Kyun: The hardest part was trying to decide how emotionless Sewon would be and also how well I would describe characteristics of people my brain would be in sync with. The [most] the funny scenes were the action scenes after brain sync with a cat. I had cat skills and then I had these action sequences, I think they were really fun to shoot.
“Dr. Brain” is currently airing on Apple TV +.